Luminous and sometimes ecstatic in effect, Kyr's work is basically tonal, and often harmonically and rhythmically complex, its sophistication deriving from its synthesis of both modern and ancient modes,[5][6] as well as Western and Asian musical traditions.[7] An engaged activist for world peace[8] and environmentalism,[6] Kyr has initiated a number of projects that bring together musicians from diverse cultures,[9] or combine music with other media,[10] and touch upon current or historical events.[11][12]
The concepts and titles of Robert Kyr's works often point to their spiritual and metaphysical dimensions: A Time For Life,[6]In Praise of Music,[13][14]On The Nature of Love (Violin Concerto No.1),[15]Unseen Rain,[16]Songs of The Shining Wind,[5]Into the Hour of New Life,[17]White Tigers,[18] and The Passion According to Four Evangelists.[19][20]
Three compact discs of Kyr's music are currently available through New Albion Records: Violin Concerto Trilogy;[22]Unseen Rain;[16] and The Passion According to Four Evangelists.[19] In addition, his music has been featured on several compilation discs including, Faces of a Woman,[23][24]Celestial Light: Music by Hildegard von Bingen and Robert Kyr,[24]The Fourth River: The Millennium Revealed,[24] and Strange Attractors: New American Music for Piano.[25]
Kyr has held teaching positions at Yale University, UCLA, the Longy School of Music and since 1990, has been Professor of Composition and Theory at the University of Oregon,[2] which also includes David Crumb on the faculty. Kyr also directs the Oregon Bach Festival Composers Symposium,[3] the University of Oregon Composers Forum, the Music Today Festival, and the Vanguard Concert and Workshop Series, as well as the Pacific Rim Gamelan.[2][26]
^Dudley, Anna Carol (September 17, 2006). "A Chorus for Any Composer". San Francisco Classical Voice. Archived from the original on November 20, 2008. Retrieved December 10, 2009.