Ross Macdonald was the main pseudonym used by the American-Canadian writer of crime fictionKenneth Millar (/ˈmɪlər/; December 13, 1915 – July 11, 1983). He is best known for his series of hardboiled novels set in Southern California and featuring private detective Lew Archer. Since the 1970s, Macdonald's works (particularly the Archer novels) have received attention in academic circles[1][2][3] for their psychological depth,[4][5] sense of place,[6][7][8] use of language,[9] sophisticated imagery[10] and integration of philosophy into genre fiction.[11] Brought up in the province of Ontario, Canada, Macdonald eventually settled in the state of California, where he died in 1983.
"... it is the sheer beauty of Macdonald’s laconic style—with its seductive rhythms and elegant plainness—that holds us spellbound. 'Hard-boiled,' 'noir,' 'mystery,' it doesn’t matter what you call it. Macdonald, with insolent grace, blows past the barrier constructed by Dorothy Sayers between 'the literature of escape' and 'the literature of expression.' These novels, triumphs of his literary alchemy, dare to be both."[12]
^Browne, Ray B. (December 1990). "Ross Macdonald: Revolutionary Author and Critic; Or The Need for the Oath of Macdonald". The Journal of Popular Culture. 24 (3): 101–111. doi:10.1111/j.0022-3840.1990.2403_101.x. ProQuest195365876.
^Michael Kreyling. “Lew Archer, House Whisperer.” South Central review. 27.1 (2010): 123–143. Web.
^Bacevich, Andrew (2015). "A Not-So-Golden State: The detective stories of Ross Macdonald". The Baffler (29): 122–126. JSTOR43959251.
^Christianson, Scott R. (1989). "Tough Talk and Wisecracks: Language as Power in American Detective Fiction". The Journal of Popular Culture. 23 (2): 151–162. doi:10.1111/j.0022-3840.1989.00151.x.
^Pry, Elmer R. (1974). "Ross Macdonald's Violent California: Imagery Patterns in The Underground Man". Western American Literature. 9 (3): 197–203. doi:10.1353/wal.1974.0006. S2CID165787318.
^Sharp, Michael D. (September 22, 2003). "Plotting Chandler's Demise: Ross Macdonald and the Neo-Aristotelian detective novel". Studies in the Novel. 35 (3): 405–428. JSTOR29533588. GaleA109085457ProQuest212626987.