"Sabre Dance"[a] is a movement in the final act of Aram Khachaturian's ballet Gayane (1942), where the dancers display their skill with sabres.[2] It is Khachaturian's best known and most recognizable work worldwide.[3][4] In the composer’s own words, the “Dance of the Kurds”, which subsequently became the “Sabre Dance”, originated with the insistence of the Director of the Kirov Theatre already after the rehearsal process had commenced. Although Khachaturian considered the score to be complete, he reluctantly agreed to add another dance in the last act.[5][6][7]
"Sabre Dance" is considered one of the signature pieces of 20th-century popular music.[8] It was popularized by covers by pop artists,[9] first in the U.S. in 1948 and later elsewhere. Its use in a wide range in films and television over the decades have significantly contributed to its renown.[10] "Sabre Dance" has also been used by a number of figure skaters from at least five countries in their performances.
^"Classical Selections of EP Singles ...". Billboard. August 29, 1953. p. 29.
^Cite error: The named reference atlantasymphony was invoked but never defined (see the help page).
^Robinson, Harlow (2013). "The Caucasian Connection: National Identity in the Ballets of Aram Khachaturian". In Kanet, Roger E. (ed.). Identities, Nations and Politics After Communism. Routledge. p. 23. ISBN9781317968665. ...particularly the "Sabre Dance," which became the single most recognized piece of Khachaturian...
^Staines, Joe (2010). The Rough Guide to Classical Music. Penguin. ISBN9781405383219. Filled with a sparkling array of folk-inspired tunes, its most famous episode, the manic "Sabre Dance", has had a life of its own, even materializing as a pop single.
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