Sally Stevens

Sally Stevens
Sally Stevens
Background information
Born (1939-11-24) November 24, 1939 (age 84)
Los Angeles, California, U.S.
GenresFilm score
Occupation(s)Singer, actress
InstrumentVocals
Years active1957-

Sally Stevens (born November 24, 1939) is an American actress, singer and a vocal contractor. She has sung on hundreds of The Simpsons episodes, and sings the main title, which has been in use since the inception of the show. She also sings the main title for Family Guy and has worked for Seth MacFarlane, the creator of the show, as vocal contractor and singer since the inception of the series on Fox in 1999. She has sung, and been vocal contractor for hundreds of films, some of which include The Last Airbender, The Abyss, Contact, Amistad, Power of One, Behind Enemy Lines, Beyond Borders, Forrest Gump, and Indiana Jones and the Kingdom of the Crystal Skull. Sally Stevens is the mother of session singer Susie Stevens-Logan. She did the voices of Marge and Patty in the demo recording of "Dancing Workers Song".

More recent projects included singing and vocal contractor services for Night at the Museum: Secret of the Tomb, for Alan Silvestri, composer (2014). She also contracted the male choir for Thomas Newman, for the Steven Spielberg film Bridge of Spies, (2015) and the male choir for John Williams' score on Star Wars: The Force Awakens (2016) and Finding Dory (Thomas Newman, composer). In 2018, she contracted and sang for Tyler Bates' score for Deadpool 2.[1] Stevens sang for vocal contractor Bobbi Page on the scores for Tomorrowland and Jurassic World, for composer Michael Giacchino (2015). Also sang for vocal contractor Edie Lehmann on recording sessions for Richard Carpenter in 2018.

  1. ^ Burlingame, Jon (May 17, 2018). "'Deadpool 2' Score Album Is First Ever to Receive a Parental Advisory Warning". Variety. Retrieved September 11, 2019. With the help of choral contractor Sally Stevens and orchestrator-conductor Tim Williams, the new lines — written during a 20-minute break in the middle of a three-hour recording session — were incorporated into the score.