Shaky camera,[1] shaky cam,[2] jerky camera, queasy cam,[3] run-and-gun[4] or free camera[4] is a cinematographic technique where stable-image techniques are purposely dispensed with shaking. It is a hand-held camera, or given the appearance of being hand-held, and in many cases shots are limited to what one photographer could have accomplished with one camera. Shaky cam is often employed to give a film sequence an ad hoc, electronic news-gathering, or documentary film feel. It suggests unprepared, unrehearsed filming of reality, and can provide a sense of dynamics, immersion, instability or nervousness.[4] The technique can be used to give a pseudo-documentary or cinéma vérité appearance to a film.[5]
Too much shaky camera motion can make some viewers feel distracted, dizzy or sick.[6][7]
Muir
was invoked but never defined (see the help page).Bordwell
was invoked but never defined (see the help page).Bailey
was invoked but never defined (see the help page).Ebert
was invoked but never defined (see the help page).Dellorto
was invoked but never defined (see the help page).