Sigurd Slembe (trilogy)

This article is about the trilogy of plays by Bjørnstjerne Bjørnson. For the historical figure, see Sigurd Slembe.
Sigurd Slembe
Written byBjørnstjerne Bjørnson
Date premiered1869 (published 1862)
Place premieredMeiningen, Germany
Original languageNorwegian
SubjectHistorical drama
GenreRomantic
SettingStavanger, Caithness, Orkney

Sigurd Slembe (Sigurd the Bastard; slembe may also be translated as "worthless" or "ill-disposed") is a trilogy of plays written by the Norwegian playwright Bjørnstjerne Bjørnson and published in 1862. It is regarded as his finest historical drama and was influenced by the works of William Shakespeare and Friedrich Schiller.[1] It directly influenced Henrik Ibsen's The Pretenders, written the following year, which explores some similar themes. In contrast to Ibsen's attempts to create a historical setting through artificially archaic language, Bjørnson's trilogy used contemporary language. The success of this approach seems to have prompted Ibsen to adopt a similarly modernistic approach to his later history plays.[2]

The trilogy is based on the history of the real Sigurd Slembe, a 12th-century pretender to the Norwegian throne, whose story was told in the medieval kings' sagas Heimskringla, Fagrskinna, and Morkinskinna. The first part of the trilogy takes some liberties with the historical account, but the other parts follow the sagas. The plays have been performed occasionally, notably at the inauguration of the National Theatre in Oslo in 1899.[1] They were first performed in their entirety in Meiningen, Germany, in 1869, but it was not until 1885 that the trilogy was performed in Norway, in Oslo's Christiania Theatre.[3]

  1. ^ a b Matlaw, Myron (1972). Modern World Drama: An Encyclopedia. Secker & Warburg. p. 704. ISBN 0436274353.
  2. ^ Johnston, Brian (1980). To the Third Empire: Ibsen's Early Drama. University of Minnesota Press. p. 101. ISBN 978-0-8166-5798-8.
  3. ^ Rattner, Josef; Danzer, Gerhard (2004). Dänemark und Norwegen in Europa: geistesgeschichtliche und literarische Essays. Königshausen & Neumann. p. 124. ISBN 978-3-8260-2754-3.