Sonya Clark | |
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| Born | 1967 (age 56–57) Washington, D.C. |
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| Occupation | Artist |
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| Website | http://www.sonyaclark.com |
| Position held | professor  |
Sonya Clark (born 1967, Washington, D.C.)[1] is an American artist of Afro-Caribbean heritage. Clark is a fiber artist known for using a variety of materials including human hair and combs to address race, culture, class, and history.[2] Her beaded headdress assemblages and braided wig series of the late 1990s, which received critical acclaim, evoked African traditions of personal adornment and moved these common forms into the realm of personal and political expression.[3] Although African art and her Caribbean background are important influences, Clark also builds on practices of assemblage and accumulation used by artists such as Betye Saar and David Hammons.[3]
- ^ Savig, Mary; Atkinson, Nora; Montiel, Anya (2022). This Present Moment: Crafting a Better World. Washington, DC: Smithsonian American Art Museum. pp. 228–238. ISBN 9781913875268.
- ^ "VCU department chair themes art around hair". The Washington Times. Retrieved April 1, 2017.
- ^ a b Sims, Lowery Stokes (2009). "Sonya Clark: The Currency of Craft". Fiberarts.com. Sept/Oct.