Sound and language in Middle-earth

J. R. R. Tolkien was both a philologist and an author of high fantasy. He had a private theory that the sound of words was directly connected to their meaning, and that certain sounds were inherently beautiful. Scholars believe he intentionally chose words and names in his constructed Middle-earth languages to create feelings such as of beauty, longing, and strangeness. Tolkien stated that he wrote his stories to provide a setting for his languages, rather than the other way around. Tolkien constructed languages for the Elves to sound pleasant, and the Black Speech of the evil land of Mordor to sound harsh; poetry suitable for various peoples of his invented world of Middle-earth; and many place-names, chosen to convey the nature of each region. The theory is individual, but it was in the context of literary and artistic movements such as Vorticism, and earlier nonsense verse that stressed language and the sound of words, even when the words were apparently nonsense.