Soviet parallel cinema

Soviet parallel cinema
Years1970-1990
CountryRussia
Key LocationsMoscow, Saint Petersburg
FoundersEvgenii Iufit, Boris Yukhananov, Gleb Aleinikov, Igor Aleinikov
Famous PublicationsCine-Fantom
IdeologiesSocial Realism and Necro-realism

Soviet parallel cinema is a genre of film and underground cinematic movement that occurred in the Soviet Union in the 1970s onwards. The term parallel cinema (known as parallel’noe kino) was first associated with the samizdat films made out of the official Soviet state system.[1] Films from the parallel movement are considered to be avant-garde, non-conventionalist and cinematographically subversive.

The two main groups and founders of the parallel cinema movement are Evgenii Iufit and the Necrorealists in Leningrad (now known as Saint Petersburg), and the circle of Aleinikov brothers in Moscow.[2] These two groups achieved phenomenal fame in Russia in the 1980s – and during the dissolution of the Soviet Union – for their involvement in the parallel cinema movement and ‘late socialism’.[1]

  1. ^ a b Yurchak, A. (1 December 2008). "Suspending the Political: Late Soviet Artistic Experiments on the Margins of the State". Poetics Today. 29 (4): 713–733. doi:10.1215/03335372-082. ISSN 0333-5372.
  2. ^ Vinogradova, Maria (2 January 2016). "Scientists, punks, engineers and gurus: Soviet experimental film culture in the 1960s–1980s". Studies in Eastern European Cinema. 7 (1): 39–52. doi:10.1080/2040350x.2016.1112502. ISSN 2040-350X. S2CID 191399397.