| "Squeeze" | |
|---|---|
| The X-Files episode | |
&sq=Facebook&lang=en&file=File:Squeeze_(The_X-Files).jpg) Tooms squeezing himself through a chimney. | |
| Episode no. | Season 1 Episode 3 |
| Directed by | Harry Longstreet |
| Written by | Glen Morgan James Wong |
| Production code | 1X02 |
| Original air date | September 24, 1993 |
| Running time | 42 minutes |
| Guest appearances | |
| |
"Squeeze" is the third episode of the first season of the American science fiction television series The X-Files. It premiered on the Fox network on September 24, 1993. "Squeeze" was written by Glen Morgan and James Wong and directed by Harry Longstreet, with Michael Katleman directing additional footage. The episode featured the first of two guest appearances by Doug Hutchison as the mutant serial killer Eugene Victor Tooms, a role he would reprise in "Tooms". "Squeeze" is the first "monster-of-the-week" episode of The X-Files, unconnected to the series' overarching mythology.
The show's main characters are FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson), who work on cases linked to the paranormal, called X-Files. Mulder is a believer in the paranormal, while the skeptical Scully has been assigned to debunk his work. In this episode, Mulder and Scully investigate a series of ritualistic killings by somebody seemingly capable of squeezing his body through impossibly narrow gaps. The agents deduce that their suspect may be a genetic mutant who has been killing in sprees for ninety years.
The production of "Squeeze" was problematic; creative differences between Longstreet and the crew led to him being replaced as director, while some missing scenes needed to be shot after the initial filming. Because of these issues, the completion of the episode relied on post-production techniques. However, "Squeeze" has received positive reviews from critics and the episode has subsequently been described by The Star as "the episode that really sold The X-Files idea to the masses".[1] Academics have examined "Squeeze" for its portrayal of the politics of law enforcement, highlighting the tension—evident throughout the series—between the agents' desire to find the truth and their duty to secure criminal convictions.