 | This article needs additional citations for verification. (April 2014) |
Stile concitato (rather Genere concitato[1]) or "agitated style" is a Baroque style developed by Claudio Monteverdi with effects such as having rapid repeated notes and extended trills as symbols of bellicose agitation or anger. Kate Van Orden points out a precedent in Clément Janequin's "La Guerre" (1528). Agathe Sueur points out similarities and ambiguities between Monteverdi's genere concitato and stile concitato in rhetoric and poetry.[2] [3] Examples of stile concitato can be found in these works:
- Monteverdi: Il Combattimento di Tancredi e Clorinda (written 1624)
- Monteverdi: Il ritorno d'Ulisse in Patria (1639)
- Monteverdi: L'incoronazione di Poppea (1642)
- Giacomo Carissimi (1605–1674): Jephte
- Barbara Strozzi (1619–1677): Tradimento
- ^ Gerald Drebes: ‘‘Monteverdis „Kontrastprinzip“, die Vorrede zu seinem 8. Madrigalbuch und das „Genere concitato“.‘‘ In: ‘‘Musiktheorie‘‘, Jg. 6, 1991, S. 29–42, online: "Gerald Drebes - 2 Aufsätze online: Monteverdi und H. Schütz". Archived from the original on 2016-03-03. Retrieved 2017-07-30.
- ^ Agathe Sueur, Le Frein et l'Aiguillon. Eloquence musicale et nombre oratoire (XVIe-XVIIIe siècle), Paris, Classiques Garnier, 2014, « Lectures jésuites du genere concitato de Monteverdi ».
- ^ Almeida, Vicente Casanova de. Monteverdi e o Stile Concitato – uma poética guerreira no Oitavo Livro de Madrigais de 1638. Dissertação. 2014. Disponível em: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-10112014-144929/pt-br.php