Suicide Season

Suicide Season
Studio album by Bring Me the Horizon
Released	29 September 2008
Recorded	2008
Studio	Studio Fredman, Arboga, Sweden
Genre	Metalcore
Length	42:10
Label	Visible Noise Epitaph
Producer	Fredrik Nordström Henrik Udd
Bring Me the Horizon chronology
Count Your Blessings (2006) Suicide Season (2008) There Is a Hell... (2010)
Singles from Suicide Season
"Chelsea Smile" Released: 19 January 2009[1] "Diamonds Aren't Forever" Released: 20 April 2009[2] "The Sadness Will Never End" Released: 27 October 2009[3]
Cut Up! edition

Suicide Season is the second studio album by British rock band Bring Me the Horizon. It was released on 29 September 2008 in the United Kingdom and Europe through Visible Noise. The band signed a licensing deal with Epitaph Records on 11 September 2008, with the label releasing the album on 18 November 2008 in the United States.^[4]

The album shows a major change musically from their previous releases, starting to shift from their original deathcore sound and mixing in metalcore influences. This would also be the last album to feature Curtis Ward on rhythm guitar. The band later released a two disc special edition of Suicide Season which features various musicians and producers remixing tracks off the album, entitled Suicide Season: Cut Up!; this was released on 2 November 2009 in the United Kingdom through Visible Noise and on 12 April 2010 in the United States through Epitaph.

Suicide Season spawned three singles ("Chelsea Smile", "Diamonds Aren't Forever" and "The Sadness Will Never End"). The album debuted on the charts of five countries. Critically, the album received a more positive response than the band's preceding debut. While praised for the genre shift, improved musicianship and newfound lyrical maturity compared to the style of 2006's Count Your Blessings, the album continued to receive critique for elements of the lyricism and some were polarized over the change of sound from Count Your Blessings. The album has begun receiving even more favourable retrospective analysis, notably surrounding Bring Me the Horizon's later critical acclaim.