Suryakant Tripathi

Suryakant Tripathi
Suryakant Tripathi
Nirala's portrait featured in Anamika c. 1923
BornSurjokumar Tiwari
(1899-02-21)21 February 1899
Midnapore, Bengal Presidency, British India
Died15 October 1961(1961-10-15) (aged 64)
Allahabad, Uttar Pradesh, India
Pen nameNirala
Occupation
  • Poet
  • novelist
  • essayist
  • story-writer
  • composer
  • sketch artist
  • translator
Language
NationalityIndian
PeriodChhayavaad
Notable worksRam Ki Shakti Puja (poem), Saroj Smriti (poem), Tulsidas (poem), Ravindra Kavita Kanan (essay collection), Kulli Bhat (novel), Anamika, Parimal (poetry collections)
Spouse
Manohara Devi
(m. 1914; died 1921)
Children2, Ramkrishna Tripathi and Saroj
Signature

Suryakant Tripathi (21 February 1899 – 15 October 1961) was an Indian poet, writer, composer, and sketch artist who wrote in Hindi. He is considered one of the four major pillars[a] of the Chhayavad period in Hindi literature. He is renowned with the epithet Mahāprāṇ[b] and his pen name Nirālā[c].[1]

He possessed a mastery of traditional poetic meters, with many of his compositions adhering to these forms. Additionally, he revolutionized Hindi poetry by pioneering the use of free verse, becoming the first Hindi poet to do so. He demonstrated to readers that poetry could retain its poetic essence and rhythm even without rhyming lines.[2][3]

He experienced a tumultuous life, marred by family losses and societal hardships. His writings, marked by a deep affinity with nature and a critique of social injustices, established him as a prominent figure in Chhayavadi and subsequent poetic movements, connecting traditional and contemporary themes. His dedication to social reform and literary creativity highlights his significant impact on modern Hindi literature.[4]


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  1. ^ Rubin, David (1971). "Nirala and the Renaissance of Hindi Poetry". The Journal of Asian Studies. 31 (1): 111–126. doi:10.2307/2053055. JSTOR 2053055. Retrieved 24 July 2024.
  2. ^ C., Zachary (16 May 2023). "The Resilient Spirit of Suryakant Tripathi Nirala". Oral History. Retrieved 24 July 2024.
  3. ^ Luniewska, Kamila Junik (2019). "Towards the Visual: New Genres and Forms of Storytelling in India". Politeja. 59 (2): 149–160. doi:10.12797/Politeja.16.2019.59.10. JSTOR 26916359. Retrieved 24 July 2024.
  4. ^ Varma, L.B. (1999). "Historical significance of Nirala's writing". Proceedings of the Indian History Congress. 60: 858–862. JSTOR 44144156. Retrieved 24 July 2024.