Joseph Haydn's Symphony No. 29 in E major, Hoboken I/29, was written in 1765, just after his 28th, and to be performed in Eisenstadt, under the benign auspices of Prince Nikolaus Esterházy.[1]
The work is scored for two oboes, bassoon, two horns, and strings with continuo.
The work is in four movements:
In the slow movement, the melody is passed back and forth between the first and second violin parts.[2]
The trio of the Minuet has an "oompah accompaniment in the strings" and horns sustaining Es in octaves, but apparently no melody.[3] The harpsichordist would have to provide a melody, but "no keyboard player has dared to provide such a thing for a quarter of a century" between Loibner's recording and the writing of Hodgson's book.[4] H. C. Robbins Landon also notes the "weird atmosphere" and lack of melody, but says it has a "sombre and secretive beauty" and has a "strongly Balkan" character due to an E minor to B minor modulation.[5]