Symphony No. 7 is the name given to a four-movement symphony in E major (D 729) drafted by Franz Schubert in August 1821. Although the work (which comprises about 1350 bars)[1] is structurally complete, Schubert only orchestrated the slow introduction and the first 110 bars of the first movement. The rest of the work is continued on 14-stave score pages as a melodic line with occasional basses or counterpoints, giving clues as to changes in orchestral texture.
Schubert seems to have laid the symphony aside in order to work on his opera Alfonso und Estrella, and never returned to it. The manuscript was given by Schubert's brother Ferdinand to Felix Mendelssohn and was subsequently acquired by Sir George Grove, who bequeathed it to the Royal College of Music in London. There are at least four completions: by John Francis Barnett (1881), Felix Weingartner (1934), Brian Newbould (1980), and Richard Dünser (2022).[2][3][4] The work is now generally accepted to be Schubert's Seventh Symphony,[1][2][5][6] an appellation which some scholars had preferred to leave for the chimerical 'Gastein Symphony' that was long believed to have been written and lost in 1824, and is now generally identified as the "Great C Major" symphony, No. 9.
The revised Deutsch catalogue and the Neue Schubert-Ausgabe do not number this symphony, preferring to give the number 7 to the Unfinished Symphony.[7] In the complete edition of Breitkopf & Härtel (Franz Schubert's Works), the number 7 is given to the Great C major symphony.
The 'realised' and orchestrated versions now put forward were originally completed in 1980 and offered as part of such an exercise.
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