Tetsuya Noda | |
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野田 哲也 | |
Born | Uki, Kumamoto, Japan | 5 March 1940
Nationality | Japanese |
Occupation(s) | Print artist, Professor Emeritus of Tokyo University of the Arts |
Awards | International Grand Prize at 1968 6th International Biennial Exhibition of Prints in Tokyo,[1] Grand Prize at 1977 Biennial of Graphic Art, Ljubliana,[2] 2015 Awarded The Order of the Sacred Treasure, Gold Rays with Neck Ribbon by the Emperor of Japan |
Tetsuya Noda (野田 哲也, Noda Tetsuya, born 5 March 1940) is a contemporary artist, printmaker and educator.[3] He is widely considered to be Japan’s most important living print-artist,[4] and one of the most successful contemporary print artists in the world.[5] He is a professor emeritus of the Tokyo University of the Arts.[6] Noda is most well-known for his visual autobiographical works done as a series of woodblock, print, and silkscreened diary entries that capture moments in daily life. His innovative method of printmaking involves photographs scanned through a mimeograph machine and then printed the images over the area previously printed by traditional woodblock print techniques onto the Japanese paper. Although this mixed-media technique is quite prosaic today, Noda was the first artist to initiate this breakthrough. Noda is the nephew of Hideo Noda an oil painter and muralist.[7]
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