The Inspiration of Saint Matthew

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "The Inspiration of Saint Matthew" – news · newspapers · books · scholar · JSTOR (May 2021) (Learn how and when to remove this message)

You can help expand this article with text translated from the corresponding article in Italian. (January 2023) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Italian Wikipedia article at [[:it:San Matteo e l'angelo (Caravaggio Roma)]]; see its history for attribution. You may also add the template {{Translated|it|San Matteo e l'angelo (Caravaggio Roma)}} to the talk page. For more guidance, see Wikipedia:Translation.

The Inspiration of Saint Matthew
Italian: San Matteo e angelo
Artist	Caravaggio
Year	1602
Medium	Oil on canvas
Dimensions	292 cm × 186 cm (115 in × 73 in)
Location	San Luigi dei Francesi, Rome

The Inspiration of Saint Matthew (1602) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio. Commissioned by the French Cardinal Matteo Contarelli, the canvas hangs in Contarelli chapel altar in the church of the French congregation San Luigi dei Francesi in Rome, Italy.

It is one of three Caravaggio canvases in the chapel: hanging between the larger earlier canvases of The Martyrdom of Saint Matthew, and The Calling of Saint Matthew. This was not an easy commission for Caravaggio, and at least two of the three paintings had to be either replaced or repainted to satisfy his patron, the Cardinal Del Monte.