The Last Poets | |
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Origin | Harlem, New York, United States |
Genres | Political poetry |
Years active | 1968–present[1] |
Labels | Mercury PolyGram Celluloid Casablanca Douglas Records Mouth Almighty Innerhythmic |
Members | Abiodun Oyewole Umar Bin Hassan Baba Donn Babatunde Jamal Abdus Sabur |
Past members | Jalal Mansur Nuriddin (deceased) Suliaman El Hadi (deceased) Nilaja Obabi (deceased) Abu Mustapha (deceased) Kenyatte Abdur-Rahman (deceased) |
The Last Poets is a poetry collective and musical group that arose in the late 1960s as part of the African-American civil rights movement and black nationalism. The name was inspired by revolutionary South African poet Keorapetse Kgositsile who believed he was in the last era of poetry before guns took over.[2]
The group originally comprised Jalaluddin Mansur Nuriddin, Umar Bin Hassan and Abiodun Oyewole. Lineup changes and departures led to offshoots, including The Original Last Poets composed of Oyewole, Gylan Kain and David Nelson. The versions of the group led by Nuriddin and Hassan had the largest impact on popular culture. The Last Poets were one of the earliest influences on hip-hop music. Critic Jason Ankeny wrote: "With their politically charged raps, taut rhythms, and dedication to raising African-American consciousness, the Last Poets almost single-handedly laid the groundwork for the emergence of hip-hop."[3] The British music magazine NME stated, "Serious spokesmen like Gil Scott-Heron, The Last Poets, and later Gary Byrd, paved the way for the many socially committed Black [emcees] a decade later."[4]