The Tortured Poets Department

The Tortured Poets Department
A monochrome image of Swift lying on a bed. The album title is displayed on the image. The image is surrounded by a thick white border.
Standard cover
Studio album by
ReleasedApril 19, 2024 (2024-04-19)
Recorded2022–2024
Studio
  • Audu (Brooklyn)
  • Big Mercy (New York City)
  • Conway Recording (Hollywood)
  • The Dwelling (New York City)
  • Electric Lady (New York City)
  • Electric Feel (Los Angeles)
  • Esplanade (New Orleans)
  • Hutchinson Sound (Brooklyn)
  • Long Pond (Hudson Valley)
  • Miloco (London)
  • Narwhal (Chicago)
  • Pleasure Hill (Portland)
  • Prime Recording (Nashville)
  • Rue Boyer (Paris)
  • Smilo Sound (Orcas Island)
  • Tiny Telephone (Oakland)
  • Unknown locations (Biarritz, Los Angeles, Paris)
Genre
Length
  • 65:08
LabelRepublic
Producer
Taylor Swift chronology
1989 (Taylor's Version)
(2023)
The Tortured Poets Department
(2024)
The Tortured Poets Department: The Anthology
Against a dark background, Swift strikes an artistic pose, bending her torso and holding her head.
Singles from The Tortured Poets Department
  1. "Fortnight"
    Released: April 19, 2024
  2. "I Can Do It with a Broken Heart"
    Released: July 2, 2024

The Tortured Poets Department[a] is the eleventh studio album by the American singer-songwriter Taylor Swift, released on April 19, 2024, through Republic Records. It was expanded into a double album two hours after its release, subtitled The Anthology, containing a second volume of songs.

Swift began writing The Tortured Poets Department shortly after finishing her tenth studio album, Midnights (2022), and continued developing it during the Eras Tour in 2023. She conceived The Tortured Poets Department as a "lifeline" songwriting project amidst the heightened fame and media scrutiny ensuing from the tour. The songs introspect on her public and private lives, detailing tumult and sorrow via motifs of self-awareness, mourning, anger, humor, and delusion. Produced with Jack Antonoff and Aaron Dessner, the album is a minimalist synth-pop, folk-pop, and chamber pop effort with rock and country stylings. The composition is largely mid-tempo, driven by a mix of synthesizers and drum machines with piano and guitar, whereas the visual aesthetic draws mainly from dark academia.

The album broke various sales and streaming records, regionally and globally. It achieved the highest single-day and single-week streams for an album on Spotify, and topped the charts across Europe, Asia-Pacific, and the Americas. In the United States, The Tortured Poets Department opened with first-week 2.6 million album-equivalent units, including 1.9 million pure sales—Swift's biggest sales week and record-extending seventh release to open with over a million units. It topped the Billboard 200 chart for a career-best 15 weeks, whereas its tracks made Swift the only artist to monopolize the first 14 positions of the Billboard Hot 100, with the single "Fortnight" leading.

Upon the album's release, critical reception was polarized. The majority of reviews were positive, praising Swift's cathartic songwriting for its emotional resonance and wit, but some found the album lengthy and lacking profundity. Subsequent assessments appreciated the album's musical and lyrical nuances that emerged upon further listens, and disputed the credibility of the initial critique for allegedly focusing on Swift's public image rather than the album's artistic merit. Swift performed songs from the album in the revamped set list of the Eras Tour, starting in May 2024, and released the live versions.
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