Tomiyama Taeko | |
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富山妙子 | |
Born | |
Died | August 18, 2021 Tokyo, Japan | (aged 99)
Nationality | Japanese |
Occupation(s) | visual artist, writer, journalist, illustrator |
Years active | 1953–2021 |
Known for | slideshows, books, and artworks addressing Japanese imperialism and feminist issues |
Notable work | Prayer in Memory ~ Gwangju, May 1980; Memories of the Sea; Harbin: Requiem for the Twentieth Century |
Tomiyama Taeko (富山妙子, 6 November 1921 – 18 August 2021) was a Japanese visual artist and writer whose work addressed the moral, emotional, and social issues related to nationalist, patriarchal, colonial, and post-colonial power structures in East Asia. Tomiyama used popular media such as oil painting, lithographic prints, collages, multimedia slideshows, books, and installations to explore marginalized figures.[1] From the 1980s on, much of her work drew on indigenous Asian mythology, symbols, and aesthetics as a critique and rejection of the violent, exploitative, Euro-American-centric values embedded in modernist thinking.[2] She was a devoted feminist, leftist, and anti-nationalist whose work told the stories of miners, ethnic minorities, comfort women, Minjung activists, and other marginalized groups to advocate for a reckoning with the nuances of colonial and imperial histories of Japan in Asia. Tomiyama died in August 2021, at the age of 99.[3]