Transcendental Youth | ||||
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Studio album by | ||||
Released | October 2, 2012 | |||
Recorded | 2012 | |||
Genre | Indie rock | |||
Length | 39:10 | |||
Label | Merge | |||
Producer | Brandon Eggleston | |||
The Mountain Goats chronology | ||||
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Aggregate scores | |
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Source | Rating |
AnyDecentMusic? | 7.5/10[1] |
Metacritic | 81/100[2] |
Review scores | |
Source | Rating |
AllMusic | [3] |
Alternative Press | [4] |
American Songwriter | [5] |
The A.V. Club | B+[6] |
MSN Music (Expert Witness) | A[7] |
NME | 7/10[8] |
Pitchfork | 7.8/10[9] |
Rolling Stone | [10] |
Spin | 8/10[11] |
Uncut | 8/10[12] |
Transcendental Youth is the fourteenth studio album by the Mountain Goats. The album focuses on outcasts, recluses, the mentally ill, and others struggling in ordinary society.[13] The album is loosely unified around a group of people living in Washington state.[13] At least one character is confirmed to be recurring from All Hail West Texas, an earlier album.[13]
Several songs were performed in concert with a capella quartet Anonymous 4 and featured arrangements by long-time friend Owen Pallett.[14][15] However, Anonymous 4 and Owen Pallett do not appear on the official studio album. This is the first Mountain Goats album to prominently feature a horn section, contributed and arranged by fellow musician Matthew E. White, who opened for the band on their 2012 tour.[16]
The first 1,000 preorders of the album came with a bonus 7",[17] containing demos for the songs "Steal Smoked Fish" on Side A, and "In the Shadow of the Western Hills," which was originally written for the album, on Side B.