"Triangle" | |
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The X-Files episode | |
Episode no. | Season 6 Episode 3 |
Directed by | Chris Carter |
Written by | Chris Carter |
Production code | 6ABX03[1] |
Original air date | November 22, 1998 |
Running time | 45 minutes[2] |
Guest appearances | |
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"Triangle" is the third episode of the sixth season of the American science fiction television series The X-Files. It premiered on the Fox network on November 22, 1998. Written and directed by series creator Chris Carter, "Triangle" is a "Monster-of-the-Week" episode, a stand-alone plot which is unconnected to the overarching mythology of The X-Files. "Triangle" earned a Nielsen household rating of 10.8, being watched by 18.20 million viewers in its initial broadcast. The episode generally received positive reviews with many critics commenting on the episode's directing style.
The show centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. Mulder is a believer in the paranormal, the skeptical Scully has been assigned to debunk his work and the two have developed a close friendship. In this episode, Mulder races to a luxury passenger liner which has mysteriously appeared in the Bermuda Triangle. Once there, he realizes he has traveled back in time to September 3, 1939—the outbreak of World War II. German soldiers have boarded the ship in search of "Thor's Hammer", something that could ensure victory in the coming conflict. Scully, after being informed of Mulder's disappearance by The Lone Gunmen, rushes through the J. Edgar Hoover Building, looking for someone who can help find her missing partner.
"Triangle" is filmed in a style inspired by the 1948 Alfred Hitchcock film Rope, with many scenes edited to appear as single takes. In addition, "Triangle" features the main and recurring cast members such as Anderson, William B. Davis, Chris Owens, James Pickens Jr. and Mitch Pileggi, who played their contemporary characters as well as distinctly different characters from 1939 on board the luxury liner. Several of the episode's themes have been critically examined, such as the concept of "dream-nazis", the appearance of modern characters portraying those from the past, and the ramification that the entire episode was a dream.
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