User:KConWiki

This user is a member of the Association of Inclusionist Wikipedians.

The motto of the AIW is conservata veritate, which translates to "with the preserved truth".
This motto reflects the inclusionist desire to change Wikipedia only when no knowledge would be lost as a result.

AIW

I am FASCINATED by the concept of an encyclopedia of everything (with each article built word by word) and I love the thought of participating in it even more so. Plus, it's fun! Here are my user boxes, and here are some of the articles, categories, and templates I have started. The quotes below give some insights into my ideas, motivations, approaches, and aspirations regarding contributing to Wikipedia:

"If you have a garden and a library, you have everything you need."
Marcus Tullius Cicero

Everything connecting.

"Eventually everything connects - people, ideas, objects. The quality of the connections is the key to quality per se."
Charles Eames

"It turns out that an eerie type of chaos can lurk just behind a facade of order - and yet, deep inside the chaos lurks an even eerier type of order."
Douglas Hofstadter

"There is no such thing as information overload, just bad design. If something is cluttered or confusing, fix your design."
Edward Tufte

"Language, that is to say, is the indispensable mechanism of human life -- of life such as ours that is molded, guided, enriched, and made possible by the accumulation of the past experience of members of our own species. Dogs and cats and chimpanzees do not, so far as we can tell, increase their wisdom, their information, or their control over their environment from one generation to the next. But human beings do. The cultural accomplishment of the ages, the invention of cooking... ...and the discovery of all the arts and sciences come to us as free gifts from the dead. These gifts, which none of us has done anything to earn, offer us not only the opportunity for a richer life than our forebears enjoyed but also the opportunity to add to the sum total of human achievement by our own contributions, however small they may be."
S.I. Hayakawa

"People don’t say to a musician, please don’t use any unusual chords."

"The list is the origin of culture. It's part of the history of art and literature. What does culture want? To make infinity comprehensible. It also wants to create order -- not always, but often. And how, as a human being, does one face infinity? How does one attempt to grasp the incomprehensible? Through lists, through catalogs, through collections in museums and through encyclopedias and dictionaries."
Umberto Eco

"It is the realization of a great, perennial dream... ...pointed to by Babel, Alexandria, and the Hitchhiker's Guide: All knowledge within reach."
CG Musselman

"So, in defending the use of these words, I begin by asking the question: why were they invented? They must have been invented because there was, as the economist put it, “a felt need” for them. That is to say, there came a moment at which a writer felt that the existing inventory didn’t quite do what he wanted it to do. These words were originally used because somebody with a sensitive ear felt the need for them. Do you therefore, because it’s very seldom that one hears an A-flat diminished tenth, say to yourself, I won’t use that chord, notwithstanding the pleasure it gives to people whose ears are educated enough to hear that little difference? People don’t say to a musician, please don’t use any unusual chords."
William F. Buckley, Jr.

"A scrupulous writer, in every sentence that he writes, will ask himself at least four questions, thus: What am I trying to say? What words will express it? What image or idiom will make it clearer? Is this image fresh enough to have an effect? And he will probably ask himself two more: Could I put it more shortly? Have I said anything that is avoidably ugly?... ...But one can often be in doubt about the effect of a word or a phrase, and one needs rules that one can rely on when instinct fails. I think the following rules will cover most cases: 1) Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. 2) Never use a long word where a short one will do. 3) If it is possible to cut a word out, always cut it out. 4) Never use the passive where you can use the active. 5) Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent. 6) Break any of these rules sooner than say anything outright barbarous."
George Orwell, "Politics and the English Language"

"...omnivorous and eclectic... ...ransacked art history for ideas..." ("Is this image fresh enough to have an effect?")

"In the world of journalism, the personal Web site ("blog") was hailed as the killer of the traditional media. In fact it has become something quite different. Far from replacing newspapers and magazines, the best blogs -- and the best are very clever -- have become guides to them, pointing to unusual sources and commenting on familiar ones. They have become the new mediators for the informed public. Although the creators of blogs think of themselves as radical democrats, they are in fact a new Tocquevillean elite. Much of the Web has moved in this direction because the wilder, bigger, and more chaotic it becomes, the more people will need help navigating it."
Fareed Zakaria

"Bowie was omnivorous and eclectic—a lifetime student of all of the arts. He was a painter, for example, and he also had superb instincts for photography—which is why his album covers and pioneering videos were so wonderful... ...Aspiring young artists should model themselves on the protean Bowie, who ransacked art history for ideas and who never lost his cultural hunger."
Camille Paglia, on the death of David Bowie

"...this fabulous tome proved to contain far more than the expected animal lore and camping tips — it was also useful for everything from advanced chemical analysis to translating ancient languages that have baffled generations of scholars. If there were limits to this font of inexhaustible knowledge, the readers never saw them."
Don Markstein's Toonopedia, referring to The Junior Woodchucks' Guide Book

"It is also useful to include indexes that organize the same items in different ways. This is important for enabling people to find things in ways that are most appropriate for the things they know or the ways they learn. All people learn differently and have varying skills. Some may be comfortable with maps while others prefer lists. Some may not understand an alphabetical listing while others can’t relate to a continuum. Multiple organizations help everyone find things easier. In addition, even if people understand the organization, they may not have the correct information. For example, they may know the street they need to go to, but not where to find it on a map (this is where street indexes come in handy). They may know that they want a recipe for a low-calorie dessert, but don’t want to search through every recipe in their cookbooks to find one. It is precisely the ability to see the same set of things in different organizations that allows people to uncover the patterns in the relationships between these things. Ideally, people should be able to rearrange the organizations themselves or be provided with different arrangements so they can begin to understand these patterns for themselves."
Nathan Shedroff

"Even as old and beautiful folk musical traditions persisted in America, Lomax knew that they wouldn't persist forever, and for years and years traveled tirelessly, especially throughout the South, lugging every technology of preservation he could think of: tape recorders, cameras, video cameras, notebooks. He didn't want to leave these matters to chance -- to what Harry Smith happened to like enough to collect, or what fascinated a blues-lover enough to make him pore through old maps. He wanted to record everything, to make what he called a 'global jukebox' that anyone and everyone could use."
Alan Jacobs, on the legacy of Alan Lomax (referencing Harry Everett Smith)

"Any writer of history aims at stating the truth, but that is only ancillary to the central role of the discipline, which is to present patterns and permit the welter of facts to be reconceived... ...The dissenter who says 'it was not like that' is in the situation of friends passing judgment on another friend: 'He did this, which means that.' 'No, it doesn't, because he also did that, which means this.'... ...Such is the reason for saying that a reader of history must be a reader of histories - several on the same topic - and a judge at leisure on the points in conflict."
Jacques Barzun, From Dawn to Decadence

"Consider the obstacles standing in the way of knowing anyone from the past, whether or not they wrote and preserved testaments to their existence. Every source, every document, comes from a person in a particular relationship to the subject, and every source, every document has a reason for existing. No means of knowing the past is objective, and none is transparent."
Nell Irvin Painter, Sojourner Truth: A Life, A Symbol

"Reminiscence, in its nature, is the recollection of past persons and events largely without benefit of historical documents. Its authenticity depends upon the memory of the remembrancer. But memory fades and, as everyone knows, is subject to tricks: of vanity and conceit, of partiality, error, and displacement... ...Reminiscence, as the product of memory, is not simply imprinted but constructed by the mind. In it truth and error dwell so closely together that one seems lost without the other. Reminiscence is the opposite of inquiry. One professes through memory to recover something once present in the mind; the other professes through knowledge to validate the past."
Merrill D. Peterson, Lincoln in American Memory

No gatekeepers needed.

"Before the Internet, ordinary people could only publish their ideas and creations if they went through a gatekeeper. The Internet allows for subcultures to form and expand. If you're one in a thousand, then on the Internet there are two and half million people who identify with the things you love."
Pomplamoose

So wait, where are the artifical flowers again?

"...in the Encyclopedia he wrote articles on everything from Aristotle to artificial flowers. One of his charms is that you never know what he is going to say or do next... ...The aims of the Encyclopedia seem harmless enough to us. But authoritarian governments don't like dictionaries. They live by lies and bamboozling abstractions, and can't afford to have words accurately defined."
Kenneth Clark, commenting on the work of Diderot

"The heroes of Wikipedia are not giants in their fields but so-called WikiGnomes—editors who sweep up typos, arrange articles in neatly categorized piles, and scrub away vandalism. This work is often thankless, but it does not seem to be joyless... ...Most dedicated editors, whether deletionist or inclusionist, are that category of person who sits somewhere between expert and amateur: the enthusiast... ...Pedantry this powerful is itself a kind of engine, and it is fueled by an enthusiasm that verges on love... ...Wikipedia has eccentricity, elegance, and surprise in abundance, especially in those moments when enthusiasm becomes excess and detail is rendered so finely (and pointlessly) that it becomes beautiful."
Richard Cooke

"The biggest body of accessible knowledge that the world has ever had is all thanks to nerds with computers who find general satisfaction from writing — and scrupulously maintaining — encyclopedia articles."
Annie Rauwerda

"Everybody don't know everything..."
Chuck D (Not this one or this one.)

"I don't care what the newspapers say about me as long as they spell my name right."
P. T. Barnum (Mark Twain? Oscar Wilde? Big Tim Sullivan?)

A treasure that might have been lost.

"As soon as Wikipedia became ‘good enough’ to settle a debate or answer a casual question, it engendered a virtuous cycle of content editing and creation. Someone would search Wikipedia for something, and either add or modify what they found based on their own knowledge of the subject."
Mark Pesce

"...I have seen him approach an immense pile of apparently worthless material and unerringly find in its huge mass one or two treasures which would have been lost to a less inspired collector..."
Arthur Spingarn, referring to Arthur A. Schomburg

"Just remember that nobody you’ve ever met has been just one thing. Nobody is just one thing..."
Michael McKean

"Turn every page. Never assume anything. Turn every goddamned page."
advice given to Robert Caro by his boss Alan Hathway

"...the mobile phone, the Internet, and spread of information—a deadly combination for dictators, for corruption."
Bono

The title of a wonderful film you might not have yet discovered.

"One of the gifts a movie lover can give another is the title of a wonderful film they have not yet discovered."
Roger Ebert

"My basic approach to interviewing is to ask the basic questions that might even sound naive, or not intellectual. Sometimes when you ask the simple questions like 'Who are you?' or 'What do you do?' you learn the most."
Brian Lamb

"If you can't beat 'em, join 'em."
William Cronon, former president of the American Historical Association

"It's good to be curious about many things."
Fred Rogers