V for Vendetta | |
---|---|
Publisher | United Kingdom Quality Communications United States Vertigo (DC Comics) France Delcourt Brazil Abril Jovem Panini Comics |
Creative team | |
Writer | Alan Moore |
Artists | |
Letterer | Steve Craddock |
Colourist | Steve Whitaker Siobhan Dodds David Lloyd |
Editors |
|
Original publication | |
Issues | 10 |
Date of publication | March 1982 – May 1989 |
ISBN | 0-930289-52-8 |
V for Vendetta is a British graphic novel written by Alan Moore and illustrated by David Lloyd (with additional art by Tony Weare). Initially published between 1982 and 1985 in black and white as an ongoing serial in the British anthology Warrior, its serialisation was completed in 1988–89 in a ten-issue colour limited series published by DC Comics in the United States. Subsequent collected editions were typically published under DC's specialised imprint, Vertigo, until that label was shut down in 2018. Since then it has been transferred to DC Black Label. The story depicts a dystopian and post-apocalyptic near-future history version of the United Kingdom in the 1990s, preceded by a nuclear war in the 1980s that devastated most of the rest of the world. The Nordic supremacist,[1] neo-fascist,[2][3][4][5] outwardly Christofascistic, and homophobic fictional Norsefire political party has exterminated its opponents in concentration camps, and now rules the country as a police state.
The comics follow the story's title character and protagonist, V, an anarchist revolutionary dressed in a Guy Fawkes mask, as he begins an elaborate and theatrical revolutionist campaign to kill his former captors, bring down the fascist state, and convince the people to abandon fascism in favour of anarchy, while inspiring a young woman, Evey Hammond, to be his protégée.
DC Comics had sold more than 500,000 copies of the graphic novel in the United States by 2006.[6] Warner Bros. released a film adaptation of the same name, written and co-produced by the Wachowskis,[a] in 2005. Following the first and second season premieres of Gotham prequel television series Pennyworth in 2019 and 2020, showrunners Danny Cannon and Bruno Heller confirmed the series would also serve as a prequel to V for Vendetta,[7] with the series' British Civil War eventually giving way to the Norsefire government and rise of V,[8][9][10] and the third season featuring predecessors to V wearing Guy Fawkes masks.[11]
[Norsefire's] goal is to lead the country that I love out of the Twentieth century. I believe in survival. In the destiny of the Nordic race.
V for Vendetta offers a clever, insightful look at the rise of fascism. The fascist 'Norsefire' party takes advantage of the power vacuum which occurs as the liberal British state collapses in the aftermath of the nuclear war.
Britain, however, survives under the cold, watchful eye of the Norsefire government, a fascist regime that took control amidst the chaos and confusion after the war.
...make Britain great again....This is typically "nationalistic" sentiment.... It was this sentiment, taken to its extremes, that drove Hitler's Nationalist Socialist (Nazi) Workers' Party to try to rid Germany of "non-Germans".
My name is Adam Susan. I am the leader. Leader of the lost, ruler of the ruins. I am a man, like any other man... I am not loved, I know that. Not in soul or body. I have never known the soft whisper of endearment. Never known the peace that lies between the thighs of woman. But I am respected. I am feared. And that will suffice. Because I love. I, who am not loved in return. I have a love that is far deeper than the empty gasps and convulsions of brutish coupling. Shall I speak of her? Shall I speak of my bride? She has no eyes to flirt or promise. But she sees all. Sees and understands with a wisdom that is Godlike in its scale. I stand at the gates of her intellect and I am blinded by the light within. How stupid I must seem to her. How childlike and uncomprehending. Her soul is clean, untainted by the snares and ambiguities of emotion. She does not hate. She does not yearn. She is untouched by joy or sorrow. I worship her though I am not worthy. I cherish the purity of her disdain. She does not respect me. She does not fear me. She does not love me. They think she is hard and cold, those who do not know her. They think she is lifeless and without passion. They do not know her. She has not touched them. She touches me, and I am touched by God, by Destiny. The whole of existence courses through her. I worship her. I am her slave.
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