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Vernacular literature is literature written in the vernacular—the speech of the "common people".
In the European tradition, this effectively means literature not written in Latin nor Koine Greek. In this context, vernacular literature appeared during the Middle Ages at different periods in the various countries; the earliest European vernacular literatures are Irish literature (the earliest being Tochmarc Emire (10th century), transcribed from a lost manuscript of the 8th century), Welsh literature, English literature and Gothic literature[citation needed].
The Italian poet Dante Alighieri, in his De vulgari eloquentia, was possibly the first European writer to argue cogently for the promotion of literature in the vernacular.[1] Important early vernacular works include Dante's Divine Comedy, Giovanni Boccaccio's Decameron (both in Italian), John Barbour's The Brus (in Scots), Geoffrey Chaucer's Canterbury Tales (in Middle English) and Jacob van Maerlant's Spieghel Historiael (in Middle Dutch). Indeed, Dante's work actually contributed towards the creation of the Italian language. Leonardo Da Vinci used vernacular in his work.[citation needed]
The term is also applied to works not written in the standard and/or prestige language of their time and place. For example, many authors in Scotland, such as James Kelman and Edwin Morgan have used Scots, even though English is now the more common language of publishing in Scotland. Ngũgĩ wa Thiong'o writes in his native Gikuyu language though he previously wrote in English. Some authors have written in invented vernacular; examples of such novels include the futuristic literary novels A Clockwork Orange by Anthony Burgess and Boxy an Star by Daren King.[citation needed]