Blood on the Floor is a suite in nine movements composed for orchestra and jazz trio by Mark-Anthony Turnage (pictured). It was composed between 1993 and 1996, during which Turnage's brother died of a drug overdose, causing drug culture to be one of its main themes. It is also influenced by the paintings of Francis Bacon and Heather Betts; the title is an adaptation of Bacon's Blood on Pavement. The composition has been described as being part of the third stream genre and is written as a concerto grosso featuring a blend of classical, jazz, non-western and electronic instruments. It contains space for soloists to improvise in four of its movements. The suite shows elements of non-functional harmony and has complex rhythmic changes, often changing metre every bar. Motifs recur throughout the work. It was premiered in London in May 1996, and received a mixed reception from critics. Some enjoyed the suite's fusion of classical and jazz music, while others found it to be an unfulfilling combination. (Full article...)