The Swimming Hole is an 1884–85 painting by the American artist Thomas Eakins, Goodrich catalog #190, in the collection of the Amon Carter Museum in Fort Worth, Texas. Executed in oil on canvas, it depicts six men swimming naked in a pristine lake. The Swimming Hole is regarded as a masterpiece of American painting. According to art historian Doreen Bolger it is "perhaps Eakins's most accomplished rendition of the nude figure", and has been called "the most finely designed of all his outdoor pictures". Since the Renaissance, the human body has been considered both the basis of artists' training and the most challenging subject to depict in art, and the nude was the centerpiece of Eakins' teaching program at the Pennsylvania Academy of the Fine Arts. In this work, Eakins took advantage of an exception to the generally prudish Victorian attitude to nudity: swimming naked was widely accepted, and for males was seen as normal, even in public spaces. Eakins was the first American artist to portray one of the few occasions in 19th century life when nudity was on display. The Swimming Hole develops themes raised in his earlier work, in particular his treatment of buttocks and his ambiguous treatment of the human form. Such themes had earlier been examined in his The Gross Clinic and William Rush, and would continue to be explored in his paintings of boxers (Taking the Count, Salutat, and Between Rounds) and wrestlers (Wrestlers). The Swimming Hole has been "widely cited as a prime example of homoeroticism in American art". (more...)
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