Y. V. Rao | |
---|---|
Born | Yaragudipati Varada Rao 30 May 1903 Nellore, Madras Presidency, British India |
Died | 13 February 1979 | (aged 75)
Occupations |
|
Years active | 1930–1968 |
Spouse(s) | Rajam, Kumari Rukmani |
Children | Lakshmi |
Relatives | {Aishwariyaa Bhaskaran (granddaughter) |
Yaragudipati Varada Rao (30 May 1903 – 13 February 1979[1]) was an Indian director, producer, actor, screenwriter, and editor known for his works primarily in Telugu, Kannada, and Tamil films.[2] Rao plunged into theatre and did a few stage plays before moving to Kolhapur and Bombay to act in silent films.[3][4] Rao started his career as a lead actor in many silent films such as Gajendra Moksham (1923),[5] Garuda Garvabhangam (1929),[6] and Rose of Rajasthan (1931).[5][7][8] Regarded as one of the greatest filmmaking pioneers of the Cinema of South India,[3][7] he made motion-pictures across Telugu, Kannada, Tamil, Konkani, and Hindi languages, apart from silent films.[3][7]
Rao made significant contributions to South cinema during the British rule in India. Rao's 1934 film Sati Sulochana was the first talkie film in the Kannada language.[3][7] In 1937, he directed the hagiographical classic Chintamani, the Tamil sleeper hit ran for a year with highest estimated footfall at a single screen in India, and British Ceylon.[9] Rao's 1938 film Swarnalatha was one of the finest political drama scripted by Ayyalu Somayajulu; with prohibition as the central theme, in which Rao played the lead. The film was shot extensively at Newtone Studios, Kilpauk, during Madras Presidency.[7] Rao's 1940 film, Viswa Mohini, is the first Indian film, depicting the Indian movie world, scripted by Balijepalli Lakshmikanta Kavi, starring V. Nagayya.[10] Rao subsequently made the mythology sequel films Savithiri (1941), and Sathyabhama (1942) casting thespian Sthanam Narasimha Rao.[3]
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