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Zhang Hongtu | |
|---|---|
| Born | 1943 Pingliang, Gansu Province, China |
| Nationality | Chinese |
| Education | Central Academy of Arts and Crafts, Beijing |
| Known for | Painting, Sculpture, Collage |
| Notable work | Long Live Chairman Mao Series (1989), Last Banquet (1989) |
| Movement | Political Pop |
| Spouse | Huang Miaoling |
| Website | http://www.momao.com/ |
Zhang Hongtu (Simplified Chinese: 张宏图; Traditional Chinese: 張宏圖; Wade-Giles: Chang Hung-t'u; Pinyin: Zhāng Hóngtú) (born 1943) is a Chinese artist based in New York City.
Zhang was born in Pingliang. He works in a variety of media such as painting (sometimes with soy sauce), sculpture, collage, ceramics, digital imaging and installation.[1] His work explores the freedom to criticize the Chinese authorities afforded to an artist living in the West.[2] It also reflects on themes of authority and belief (specifically the power of iconic imagery)and cross-cultural 'East and West' connections.These themes are largely derived from his "outsider" standing as a Muslim in China and, after his move to the United States, as a Chinese citizen in the Western world.
He studied at the Central Academy of Arts and Crafts in Beijing.
In 1987 he took part in the founding of The Chinese United Overseas Artists Association, along with Li Shuang, Qu Leilei, Ai Weiwei.
- ^ Wang Ying, Reading Zhang Hongtu, University of Pittsburgh online Archived January 2, 2008, at the Wayback Machine
- ^ Legacy-Project.org