24 Hour Revenge Therapy

24 Hour Revenge Therapy
A 4x4 grid of images, from clockwise: matchsticks against a yellow background, the album's title on top of a silver surface, a top-down view of a canyon, and a melted clock face
Studio album by
ReleasedFebruary 7, 1994 (1994-02-07)
RecordedMay and August 1993
StudioSteve Albini's house, Chicago, Illinois; Brilliant, San Francisco, California
Genre
Length37:11
Label
  • Tupelo
  • Communion
ProducerJawbreaker
Jawbreaker chronology
Bivouac
(1992)
24 Hour Revenge Therapy
(1994)
Dear You
(1995)

24 Hour Revenge Therapy is the third studio album by American punk rock band Jawbreaker, released on February 7, 1994, through Tupelo Recording Company and Communion Label. Before the release of their second studio album Bivouac (1992), frontman Blake Schwarzenbach developed a polyp on his vocal chords. While on tour in Europe, he went to a hospital; upon returning to the United States, the band took up day jobs. Recording sessions for their next album were held at Steve Albini's house in Chicago, Illinois across three days in May 1993. While on tour, they listened to tapes they made of the sessions; Schwarzenbach was unhappy with the recordings. Three songs were subsequently recorded in a single day at Brilliant in San Francisco, California in August 1993 with Billy Anderson.

24 Hour Revenge Therapy received generally favourable reviews from music critics, some of whom praised the songwriting. Described as a blend of their traditional punk rock and pop-punk sound, it harkened back to the simplistic arrangements of Jawbreaker's debut studio album Unfun (1990). They supported Nirvana on their US tour, which earned them backlash from members of the punk community, and then went on a stint with J Church, prior to the release of the album. They supported it with a seven-week US trek, a West Coast tour with Jawbox, and a stint in Europe at the end of 1994. 24 Hour Revenge Therapy has been included on best-of lists for pop-punk and emo by the likes of Alternative Press and Rock Sound; Chris Conley of Saves the Day and Rise Against had expressed admiration for the album.