In 2015, the Brazilian Film Critics Association (Abraccine) published a list with the 100 best Brazilian films ever according to the votes of its members.[1] This poll was the basis for a book named The 100 Best Brazilian Films, published in 2016.[2] The idea of the ranking and the book was suggested by publisher Letramento, with whom Abraccine and television network Canal Brasil co-released the book. The ranking was done based on individual lists done by Abraccine's 100 critics, who initially mentioned 379 films. The full list was first made available to the public on 26 November 2015, and the book was released on 1 September 2016.
The list covers almost all decades between the 1930s and the 2010s, the only exception being the 1940s. A 1931 film, Mário Peixoto's Limite, is the oldest one and also the first ranked, while the most recent work is from 2015, Anna Muylaert's The Second Mother. The chanchada (1930–50s musical comedies) is represented by Carlos Manga's O Homem do Sputnik (1959), while there is a plethora of 1960–1970s films, including Cinema Novo and Cinema marginal works. Almost one third of the films were from the Retomada period (1995–onward), and the list included not only feature films but also documentaries and short films. Cinema Novo director Glauber Rocha is the filmmaker with the most films in the list: five; followed by Rogério Sganzerla, Nelson Pereira dos Santos, Héctor Babenco and Carlos Reichenbach, each with four works.