Adrien Manglard

Adrien Manglard
seascape of a harbor with fishermen drawing their nets from water, and two moored ships
Born
Adrien Manglard

10 March 1695
Died(1760-08-01)1 August 1760
NationalityFrench
EducationAdriaen van der Cabel; Académie royale de peinture et de sculpture; Accademia di San Luca; Accademia di Belle Arti dei Virtuosi al Pantheon
Known forLandscape painting
Patron(s)Pierre Le Gros the Younger (1666–1719)
Victor Amadeus II of Sardinia (1666–1732)
Philip, Duke of Parma (1720–1765)
Chigi family
Colonna family
Orsini family
Rondani family
Rospigliosi family

Adrien Manglard (French pronunciation: [adʁijɛ̃ mɑ̃ɡlaʁ]; 10 March 1695 – 1 August 1760) was a French painter, draughtsman, and engraver. He was a skilled marine painter, who was able to rapidly advance his career in Rome thanks to his compositional skills,[1] selling paintings to clients such as the Rospigliosi family, Victor Amadeus II, King of Sardinia, and Philip, the Duke of Parma. The latter alone commissioned more than 140 paintings from Manglard.[1][2]

The son of a modest painter, Manglard was trained in Lyon by his godson Adriaen van der Cabel, a Dutch Golden Age landscapist. In 1734 Manglard was admitted to the Académie Royale de Peinture et de Sculpture, which he entered as a full member in 1736. In his youth he traveled to Rome, where he spent most of his life. He is said to have trained under Bernardino Fergioni (1674–1738) in Italy. Manglard also came into contact with artists in the circle of sculptor Pierre Le Gros the Younger (1666–1719), who commissioned two paintings from him before 1719.[1][3]

Manglard's best known pupil is arguably Claude-Joseph Vernet, who, upon his arrival in Rome, was welcomed by Manglard into his studio[4] and initiated into seascape painting by him and Fergioni.[5][6][7]

Once concentrated in Rome, his work is today spread across private and institutional collections around the world. Manglard is also known for his mural painting. He painted the frescoes of two rooms in the Palazzo Chigi in Rome, including the Sala delle Marine.[8][9][3]

  1. ^ a b c Michel, Olivier (2003). "Manglard, Adrien". Oxford Art Online. Oxford Art Online. doi:10.1093/gao/9781884446054.article.T053792. ISBN 978-1-884446-05-4. Retrieved 9 October 2020.
  2. ^ "Manglard, Adrien". Web Gallery of Art. Retrieved 9 October 2020.
  3. ^ a b "Adrien Manglard". Netherlands Institute for Art History. Retrieved 9 October 2020.
  4. ^ "Marina di Anzio". Accademia di San Luca. Retrieved 9 October 2020.
  5. ^ "Vernet". Treccani. Retrieved 9 October 2020.
  6. ^ Joseph Vernet; Philip Conisbee (1976). Claude-Joseph Vernet, 1714-1789: Catalogue of an Exhibition. Greater London Council. pp. 1728, 1739, 1747. ISBN 978-0-7168-0818-3.
  7. ^ Silvia Maddalo (1982). Adrien Manglard (1695-1760). Multigrafica; University of Virginia. pp. 20–28. ISBN 978-88-7597-090-1.
  8. ^ Silvia Maddalo (1982). Adrien Manglard (1695-1760). Multigrafica; University of Virginia. pp. 51, 116, 173. ISBN 978-88-7597-090-1.
  9. ^ Governo italiano (16 November 2015). "La Sala dei Paesaggi Boscosi e la Sala delle "Marine"". Italian Government. Retrieved 9 October 2020.