In light of the Cold War, the portrait was described as the "First World's Third World Mona Lisa"[5] in reference to the 16th-century painting of the same name by Leonardo da Vinci.[6][7] Gula's image became "emblematic" in some social circles as the "refugee girl/woman located in some distant camp" that was deserving of compassion from the Western viewer,[8] and also as a symbol of Afghanistan to the West.[9]CNN called it the 'world's most famous photograph'.[10]
^Wendy S. Hesford; Wendy Kozol, eds. (2005). Just Advocacy?: Women's Human Rights, Transnational Feminisms, and the Politics of Representation. Rutgers University Press. p. 1. ISBN9780813535890.