Alchi Monastery | |
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Religion | |
Affiliation | Tibetan Buddhism |
Location | |
Location | Alchi, Leh District, Ladakh, India |
Geographic coordinates | 34°13′N 77°10′E / 34.217°N 77.167°E |
Architecture | |
Style | Tibetan Architecture |
Founder | Rinchen Zangpo (958-1055 CE) |
Alchi Monastery (Tibetan: ཨ་ལྕི་ཆོས་འཁོར།) or Alchi Gompa (Tibetan: ཨ་ལྕི་དགོམ་པ།, also Alci) is a Tibetan Buddhist monastery, known more as a monastic complex (chos-'khor) of temples in Alchi village in the Leh District, under the Ladakh Autonomous Hill Development Council of the Ladakh Union Territory. The complex comprises four separate settlements in the Alchi village in the lower Ladakh region with monuments dated to different periods. Of these four hamlets, Alchi monastery is said to be the oldest and most famous. It is administered by the Likir Monastery.[1][2][3] It is 60 west of Leh on Leh-Kargil Highway.
Alchi is also part of the three villages (all in lower Ladakh region) which constitute the ‘Alchi group of monuments’; the other two villages adjoining Alchi are the Mangyu and Sumda Chun. The monuments in these three villages are stated to be of "unique style and workmanship’, but the Alchi monastic complex is the best known.[1][2]
The monastery complex was built, according to local tradition, by the great translator Guru Rinchen Zangpo between 958 and 1055. However, inscriptions in the preserved monuments ascribe it to a Tibetan noble called Kal-dan Shes-rab later in the 11th century.[2][4] Dukhang or Assembly Hall and the Main Temple (gTsug-lag-khang), which is a three-storied temple called the Sumtseg (gSum-brtsegs, literally 'three-storied'), are built in the Kashmiri style as seen in many monasteries; the third temple is called the Manjushri Temple ('Jam-dpal lHa-khang). Chortens are also an important part of the complex.[1][2]
The artistic and spiritual details of both Buddhist and the Hindu kings of the time in Kashmir and Himachal Pradesh are reflected in the wall paintings in the monastery. These are some of the oldest surviving paintings in Ladakh. The complex also has huge statues of the Buddha and elaborate wood carvings and art-work comparable to the baroque style.[2][5] Shakti Maira has vividly explained the beauty of this small monastery.[6]
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