Alison Saar

Alison Saar (born February 5, 1956) is a Los Angeles-based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality.[1] Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion."[2] Saar credits her parents, collagist and assemblage artist Betye Saar (née Brown) and painter and art conservator Richard Saar, for her early exposure to are and to these metaphysical and spiritual practices. [3] Saar followed in her parents footsteps along with her sisters, Lezley Saar and Tracye Saar-Cavanaugh who are also artists.[4][5] Saar has been a practicing artist for many years, exhibiting in galleries around the world as well as installing public art works in New York City. She has received achievement awards from institutions including the New York City Art Commission as well as the Institute of Contemporary Art in Boston.

  1. ^ Dallow, Jessica (2004). "Reclaiming Histories: Betye and Alison Saar, Feminism, and the Representation of Black Womanhood". Feminist Studies. 30 (1): 74–113. JSTOR 3178559.
  2. ^ Saar, Alison. "National Museum of Women in the Arts". Retrieved March 3, 2018.
  3. ^ "Alison Saar". National Museum of Women in the Arts. April 19, 2024.
  4. ^ Finkel, Jori (November 5, 2020). "Alison Saar on Transforming Outrage Into Art". The New York Times.
  5. ^ "Family Legacies: The Art of Betye, Lesley, and Alison Saar". Artdaily. April 19, 2024.