| Almendra | ||||
|---|---|---|---|---|
&sq=&lang=&file=File:Almendra_album_cover.jpg) | ||||
| Studio album by | ||||
| Released | November 29, 1969 | |||
| Recorded | April–September 1969 | |||
| Studio | TNT Studios, Buenos Aires | |||
| Genre | ||||
| Length | 37:35 | |||
| Language | Spanish | |||
| Label | Vik (RCA Victor) | |||
| Producer | Almendra | |||
| Almendra chronology | ||||
| ||||
| Singles from Almendra | ||||
| ||||
Almendra (pronounced [alˈmendɾa]; Spanish for "almond") is the self-titled debut studio album by Argentine rock band Almendra which was released in 1969 on Vik, a subsidiary of RCA Victor. To distinguish it from the band's next release, Almendra II, it is also known as Almendra I. The album represented the first full-length musical endeavour of nineteen-year-old Luis Alberto Spinetta, having formed the band in the mid 1960s along with Emilio del Guercio, Edelmiro Molinari and Rodolfo García. The famous artwork, showing a crying man with a toy arrow stuck on his head, was designed by Spinetta to embody the different lyrical themes of the album.
By the late 1960s, the nueva ola phenomenon was losing popularity and Los Gatos' debut single, "La balsa", had catapulted the emergence of Argentine rock. The success of Los Gatos paved the way for Manal and Almendra; the three groups are considered the foundational trilogy of Argentine rock, singing serious and artistic songs in Spanish at a time when this was discouraged. Spinetta's lyricism has been celebrated for its poetry, surrealism and idiosyncratic use of grammar and accent. Almendra incorporated musical influences from the Beatles, jazz, and Argentine music such as tango and folk music.
Upon release, the album achieved critical and commercial success, aided by the popularity of the single "Muchacha (ojos de papel)", which remains one of Spinetta's most celebrated compositions. Almendra is often listed as one of the greatest and most influential albums in the history of Argentine rock music, serving as a foundation of what is locally known as rock nacional and, by extension, rock en español in general. The album remains a paradigm of Argentine 1960s youth culture, signaling the growing influence of the counterculture of that decade in the country.