American gamelan

Gamelan Son of Lion, a Javanese-style iron American gamelan based in New York City that is devoted to new music, playing in a loft in Soho, Manhattan in 2007
Kyai Barleyan, a Javanese gamelan at Oberlin College in Ohio. Acquired in 1970, it is believed to be the third-oldest gamelan in use in the United States.

American gamelan could refer to both instruments and music; the term has been used to refer to gamelan-style instruments built by Americans, as well as to music written by American composers to be played on gamelan instruments. American gamelan music usually has some relationship to the gamelan traditions of Indonesia, as found primarily on the islands of Java and Bali in a variety of styles. Many American compositions can be played on Indonesian or American-made instruments. Indonesian gamelan can be made of a variety of materials, including bronze, iron, or bamboo. American gamelan builders used all sorts of materials including aluminum, tin cans, car hubcaps, steel, antique milk-strainers, etc. American gamelan may also describe the original music of American ensembles working with traditional instruments.

Dennis Murphy is often credited as being the first American to build instruments modeled on those of the Javanese gamelan, circa 1960. This work led to his doctoral thesis at Wesleyan University, entitled "The Autochthonous American Gamelan". Murphy started a gamelan group with his instruments at Goddard College in Vermont in 1967; that group later became the community-based Plainfield Village Gamelan.

There have been other American builders of gamelan as well, on both the East and West coasts. Following Murphy's model was Barbara Benary, who built the instruments still used today for Gamelan Son of Lion. On the West coast, the airline industry made aluminum affordable, and this became the material of choice for several gamelan builders. Daniel Schmidt, a composer-builder, built an ensemble called "The Berkeley Gamelan" (independent of the University of California, Berkeley) as well as the set of instruments that would develop into Gamelan Pacifica in Seattle. Paul Dresher also used aluminum.