Asma El Bakry

Asma El Bakry
أسماء البكري
Egyptian filmmaker Asma El Bakry operating a camera dolly
Born28 October 1947
Cairo
Died5 January 2015
NationalityEgyptian
CitizenshipEgypt
EducationFrench literature, University of Alexandria.
Alma materUniversity of Alexandria
Occupation(s)film director, author and illustrator.
Notable workAl Fatimiyun (The Fatimids)

Asma El Bakry (Arabic: أسماء البكري; 28 October 1947 – 5 January 2015) (something written as Asmaa El-Bakri and other variations) was an Egyptian film director, author and illustrator.[1][2][3] She was born in Cairo, moving to Alexandria as a young girl with her mother and brother. She attended the renowned French school, Notre Dame de Sion and Lycée, and earned a BA in French literature from the University of Alexandria in 1970.[4]

El Bakry worked in the film industry for many years, including as an assistant to noted Egyptian director Youssef Chahine, as well as with Saad Arafa and Khairy Beshara.[5][6]

She also worked as an author, illustrator and as a production manager.[6]

As a production manager, El Bakry made about twenty documentaries in Egypt for the BBC. She also made a number of short films and worked on Raymond Depardon's Une Femme en Afrique.[7] She made her first feature as a director in 1991, Beggars and Nobles [fr],[8] which she also co-produced. It could be argued that most of her documentaries reveal deep interest in Egyptian history and a keen desire to shed light on its past civilizations with the ultimate aim of instructing the new generation. In Dahsha, for instance, she traces the history of wooden boats used by the ancient Egyptians until modern times. In El Zaher District (Hay el Daher), she sheds light on the history of that district in Cairo, which was established by the Sultan Zaher Bibars in the thirteenth century.

Her fascination with the Islamic civilization is evident in her work on the Fatimids and the Ayubbids.

While filming Mathaf al Iskandariya, a documentary about the Greco-Roman Museum in Alexandria, El Bakry filmed the recovery of what were thought to be remains of the Pharos of Alexandria. After finding that works to stabilize the adjacent Citadel of Qaitbay were destroying ancient artifacts, she went public with her concerns, forcing the Egyptian authorities to stop their works.[9][10][11]

  1. ^ El-Assyouti, Mohamed (2–8 January 2003). "Freudian slips". Al-Ahram. Retrieved 5 December 2016.
  2. ^ "Asma el Bakri". Bibliotheca Alexandrina. Retrieved 5 December 2016.
  3. ^ Ames, Roy (2008). "Al Bakri, Asma". Dictionary of African Filmmakers. Indiana University Press. pp. 24–25. ISBN 978-0253351166.
  4. ^ Cite error: The named reference :0 was invoked but never defined (see the help page).
  5. ^ Hayward, Susan (2013). "World Cinemas/World Cinema/Third World Cinemas". Cinema Studies: The Key Concepts. Routledge. p. 450. ISBN 978-1135120856.
  6. ^ a b Hillauer, Rebecca (2005). "El Bakry, Asma (1947–)". Encyclopedia of Arab Women Filmmakers. The American University in Cairo Press. ISBN 9774249437.
  7. ^ "Asma El Bakri". IFFR. 2015-09-04. Retrieved 2019-03-27.
  8. ^ Beggars and Proud Ones, retrieved 2019-03-27
  9. ^ Gauch, Sarah (April 26, 1995). "Diving for Sunken Treasure – of Stone". The Christian Science Monitor. Retrieved December 5, 2016.
  10. ^ Empereur, Jean-Yves. "Diving on a sunken city". Archaeology (March / April 1999 ed.). Archaeological Institute of America. ISSN 0003-8113.
  11. ^ Lawler, Andrew. "Raising Alexandria". Smithsonian Magazine. Smithsonian Institution. Retrieved 5 December 2016.