Atlas (architecture)

"Atlantid" redirects here. For the family of sea snails, see Atlantidae. For the companions of Artemis, see Atlantids. For the racial category, see Atlantid race.
Baroque atlas at St. Florian Monastery, Austria, by Leonhard Sattler
Atlantes depicting the Moors defeated by Charles V, Porta Nuova, Palermo
Beaux Arts atlantes on Rue Saint-Roch no. 45, Paris, by Bruno Pellissier, 1917

In European architectural sculpture, an atlas (also known as an atlant, or atlante[1] or atlantid; plural atlantes)[2] is a support sculpted in the form of a man, which may take the place of a column, a pier or a pilaster. The Roman term for such a sculptural support is telamon (plural telamones or telamons).[2]

The term atlantes is the Greek plural of the name Atlas—the Titan who was forced to hold the sky on his shoulders for eternity. The alternative term, telamones, also is derived from a later mythological hero, Telamon, one of the Argonauts, who was the father of Ajax.

The caryatid is the female precursor of this architectural form in Greece, a woman standing in the place of each column or pillar. Caryatids are found at the treasuries at Delphi and the Erechtheion on the Acropolis at Athens for Athene. They usually are in an Ionic context and represented a ritual association with the goddesses worshiped within.[3] The Atlante is typically life-size or larger; smaller similar figures in the decorative arts are called terms. The body of many Atlantes turns into a rectangular pillar or other architectural feature around the waist level, a feature borrowed from the term. The pose and expression of Atlantes very often show their effort to bear the heavy load of the building, which is rarely the case with terms and caryatids. The herma or herm is a classical boundary marker or wayside monument to a god which is usually a square pillar with only a carved head on top, about life-size, and male genitals at the appropriate mid-point. Figures that are rightly called Atlantes may sometimes be described as herms.

Atlantes express extreme effort in their function, heads bent forward to support the weight of the structure above them across their shoulders, forearms often lifted to provide additional support, providing an architectural motif. Atlantes and caryatids were noted by the Roman late Republican architect Vitruvius, whose description of the structures,[4] rather than surviving examples, transmitted the idea of atlantes to the Renaissance architectural vocabulary.

  1. ^ Hersey, George, The Lost Meaning of Classical Architecture, MIT Press, Cambridge, MA, 1998 p. 129
  2. ^ a b Aru-Az' Archived 2008-07-04 at the Wayback Machine, Michael Delahunt, ArtLex Art Dictionary Archived 2005-04-24 at the Wayback Machine, 1996–2008.
  3. ^ Harris, Cyril M., ed., Illustrated Dictionary of Historic Architecture, Dover Publications, New York, 1983.
  4. ^ Vitruvius, De Architectura, 6.7.6.