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"Avant-Garde and Kitsch" is the title of a 1939 essay by Clement Greenberg, first published in the Partisan Review, in which he claimed that avant-garde and modernist art was a means to resist the "dumbing down" of culture caused by consumerism.
The term "kitsch" came into use in the 1860s or 1870s in Germany's street markets, and referred to pictures that were cheap, popular, and marketable.[1] Greenberg considers kitsch to be "ersatz culture," a simulacrum of high culture that adopts many of its exterior trappings but none of its subtleties.
- ^ Calinescu, Matei. Five Faces of Modernity. Kitsch, p. 234.