Bakyâ are wooden clogs[1] that were once the most commonly used footwear in the Philippines before the introduction of rubber sandals. This footwear is made from local light wood like santol and laniti. It is cut to the desired foot size before being shaven until smooth. The side of the bakyâ is thick enough to be carved with floral, geometric or landscape designs, a unique method in Southeast Asia for the artist's application of oneself towards the clog.[2] Afterwards, the bakyâ could then be painted or varnished, traditionally, on the specification of the person who would wear it. Uppers of traditional rattan or tight cloth (or modern plastic or rubber)[2] will then be fastened using clavitos (tiny nails). The finished product has been a symbol of the masses since its popularity. However, since the early 21st century, the usage of the bakyâ has been revived by the upper classes of society, effectively changing the symbolism of the footwear from mass representation to holistic societal representation. A bill in the Philippine Congress described the bakyâ as having 'reference to the Filipinos' humble beginnings'.[3] It has been proposed as the National Slipper of the Philippines since 2014.[3]