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Baphomet is a deity that the Knights Templar were accused of worshipping[3] that subsequently became incorporated into various occult and Western esoteric traditions.[4] The name Baphomet appeared in trial transcripts for the Inquisition of the Knights Templar starting in 1307.[5][6] It first came into popular English usage in the 19th century during debate and speculation on the reasons for the suppression of the Templar order.[3][5] Baphomet is a symbol of balance in various occult and mystical traditions, the origin of which some occultists have attempted to link with the Gnostics and Templars,[4] although occasionally purported to be a deity or a demon.[3] Since 1856 the name Baphomet has been associated with the "Sabbatic Goat" image drawn by Éliphas Lévi,[7] composed of binary elements representing the "symbolization of the equilibrium of opposites":[1] both human and animal, both masculine and feminine, combined in metaphysical unity. Lévi's intention was to symbolize his concept of balance, with Baphomet representing the goal of perfect social order.[2]
In the 19th century a fresh impetus was given to the discussion by the publication in 1813 of F. J. M. Raynouard's brilliant defence of the order. The challenge was taken up, among others, by the famous orientalist Friedrich von Hammer-Purgstall, who in 1818 published his Mysterium Baphometis revelatum, an attempt to prove that the Templars followed the doctrines and rites of the Gnostic Ophites, the argument being fortified with reproductions of obscene representations of supposed Gnostic ceremonies and of mystic symbols said to have been found in the Templars' buildings. Wilcke, while rejecting Hammer's main conclusions as unproved, argued in favour of the existence of a secret doctrine based, not on Gnosticism, but on the unitarianism of Islam, of which Baphomet (Mahmoed) was the symbol. On the other hand, Wilhelm Havemann (Geschichte des Ausganges des Tempelherrenordens, Stuttgart and Tübingen, 1846) decided in favour of the innocence of the order. This view was also taken by a succession of German scholars, in England by C. G. Addison, and in France by a whole series of conspicuous writers: e.g. Mignet, Guizot, Renan, Lavocat. Others, like Boutaric, while rejecting the charge of heresy, accepted the evidence for the spuitio and the indecent kisses, explaining the former as a formula of forgotten meaning and the latter as a sign of fraternité!
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