Below the Waste

Below the Waste
Studio album by Art of Noise
Released	11 September 1989
Recorded	1988–1989
Studio	AIR, CBS Studios, Mayfair Studios (London), Studio Marcadet (Paris), AIR (Montserrat)
Genre	Experimental, synthpop
Length	51:47
Label	China Polydor
Producer	Anne Dudley J. J. Jeczalik Ted Hayton
Art of Noise chronology
In No Sense? Nonsense! (1987) Below the Waste (1989) The Seduction of Claude Debussy (1999)

Professional ratings

Review scores
Source	Rating
Allmusic	[1]
Hi-Fi News & Record Review	A*:1/2[2]

Below the Waste is Art of Noise's fourth full-length original album and their last album for China Records before Anne Dudley re-formed the group with ZTT's Trevor Horn and Paul Morley for 1999's The Seduction of Claude Debussy.

The album saw the group experimenting with world music, collaborating with South African Zulu group Mahlathini and the Mahotella Queens, who provide a heavy layer of mostly non-English-language vocals on three tracks ("Yebo!", "Chain Gang" and "Spit"). The album was produced by Anne Dudley, Ted Hayton and J.J. Jeczalik.

The album represents the diverging interests of the two remaining members of the original group, Anne Dudley and J.J. Jeczalik. Dudley's influence is evident in the album's ambient interludes of melodic, orchestral pieces, while Jeczalik's influence can be heard in the album's dub tracks and harder, rock-edged pieces. The latter songs also feature arrangements more typical of the band's earlier material, utilising sampling techniques, lengthy fade-outs, a diverse mixture of classical instruments, guitar riffs and percussion typical of industrial music.

Like its predecessor, In No Sense? Nonsense!, the album also features cover versions of previously recorded themes composed for television and film, namely "Robinson Crusoe" (originally the theme to the 1964 television programme The Adventures of Robinson Crusoe) and "James Bond Theme" which was submitted for the soundtrack of the 1989 James Bond film Licence to Kill and subsequently rejected by the film's producers.^{[citation needed]}.

The "Emphasis Speakers" on the album cover were designed by Morten Villiers Warren for B&W. The orchestra was led by John Bradbury.

Although the album was praised for its collaboration with Mahlathini and the Mahotella Queens, the reviews for the album were mostly negative, with Allmusic music reviewer Dean Carlson calling the album a "misfire" and compared it to "world mall-music".^[3]