The Birmingham School was a group of landscape artists working in Birmingham, England in the late 18th and early 19th centuries; descending from Daniel Bond, who was active in the 1760s, and including well-known later figures such as Thomas Creswick, Thomas Baker and David Cox,[1] who was to become an early precursor of impressionism.[2]
Although the artists of the school were not formally organised, they were related by their common technique, which distinguished them from the broader field of contemporary landscapists.[1] In particular the Birmingham School is notable for its emphasis on character as well as precision in its portrayal of nature; for example often depicting trees in a manner that has more in common with portraiture, and showing "a quest for the essential, the quiddity of what is observed".[3] Many of the artists were also related by training: Bond taught in the 1760s and pupils of his exhibited at the Free Society of Artists in London in 1763;[4] Joseph Barber opened a drawing academy in 1801 where pupils included Cox and Baker; and Samuel Lines opened another academy in 1806 where pupils included Creswick.[5]