| Blood on the Floor | |
|---|---|
| Orchestral suite by Mark-Anthony Turnage | |
&sq=&lang=&file=File:Mark-Anthony_Turnage_at_2014_Cabrillo_Festival_of_Contemporary_Music.jpg) Turnage in 2014 at the Cabrillo Festival of Contemporary Music | |
| Genre | Third stream |
| Related | |
| Commissioned by | Ensemble Modern |
| Composed | 1993–1996 |
| Dedication |
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| Duration | 70–80 minutes |
| Movements | Nine |
| Premiere | |
| Date | May 1996 |
| Location | Queen Elizabeth Hall, London, United Kingdom |
| Performers | Ensemble Modern, with John Scofield, Martin Robertson and Peter Erskine |
Blood on the Floor is a suite in nine movements composed for orchestra and jazz trio by Mark-Anthony Turnage. It was composed over a span of three years (1993–1996) after a commission from the Ensemble Modern—a German music group—to produce a piece for an evening jazz event in 1994. After the performance, Turnage expanded the piece into a larger nine-movement suite. During this period of composition, Turnage's brother Andrew died of a drug overdose, shaping the music greatly. As a result, drug culture is one of the main themes in the suite. Blood on the Floor also draws influences from the paintings of Francis Bacon and Heather Betts; the suite's title is an adaptation of Bacon's painting Blood on Pavement.
Like other compositions by Turnage, Blood on the Floor incorporates elements of both classical and jazz music. Due to this, it has been described as being part of the "third stream" genre, a term coined by Turnage's former teacher Gunther Schuller. The suite is written as a concerto grosso and features a blend of classical, jazz, non-western and electronic instruments. As part of this fusion, the suite contains space for soloists to improvise in four of its movements. Blood on the Floor shows elements of non-functional harmony and has complex rhythmic changes, often changing metre every bar. Motifs are found recurring throughout the suite.
The premiere performance of Blood on the Floor was by the Ensemble Modern at the Queen Elizabeth Hall, London, in May 1996. The suite received a mixed reception from music critics. Some enjoyed the suite's fusion of classical and jazz music, while others found it to be an unfulfilling combination. Outside of the Ensemble Modern, Blood on the Floor has been performed by various ensembles, including the Berlin Philharmonic, Melbourne Symphony Orchestra and Boston Symphony Orchestra.