Music educator and author Michael Campbell explains that it "shows the relationship between Afro-Cuban music, Americanized Latin rhythms, and rock rhythm... [The beats] are more active and complicated than a simple rock rhythm, but less complex than a real Afro-Cuban rhythm.[8]
^Thomakos, John (2010). "Bo Diddley Beat". The Drum Set Styles Encyclopedia. Mel Bay Publications. p. 67. ISBN978-1610652193. The heart of this [Bo Diddley beat] trademark groove is essentially a 3-2 clave rhythm, played with a strong swing.
^Martin, Andrew R.; Mihalka, Matthew (2020). Music Around the World: A Global Encyclopedia. Santa Barbara, California: ABC-CLIO. p. 179. ISBN978-1610694995. Bo Diddley's 1955 self-titled track featuring the 'Bo Diddley Beat' that was based on the clave rhythm.
^Roscetti, Ed (2008). Stuff! Good Drummers Should Know: An A to Z Guide to Getting Better. Hal Leonard. p. 16. the Bo Diddley beat, based on the rumba or clave rhythm
^Horne, Greg (2000). Intermediate Acoustic Guitar. Alfred Publishing. p. 38. ISBN0-7390-0426-3. The Bo Diddley Beat – This is a variation of the clave made famous by Bo Diddley.
^ abCampbell, Michael (2009). Popular Music in America: And the Beat Goes On (3rd ed.). Boston, Massachusetts: Cengage Learning. p. 167. ISBN978-0-495-50530-3.