Religion in ancient Rome |
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Bona Dea (Latin: [ˈbɔna ˈdɛ.a]; 'Good Goddess') was a goddess in ancient Roman religion. She was associated with chastity and fertility among married Roman women, healing, and the protection of the state and people of Rome.[1] According to Roman literary sources, she was brought from Magna Graecia at some time during the early or middle Republic, and was given her own state cult on the Aventine Hill.
Her rites allowed women the use of strong wine and blood-sacrifice, things otherwise forbidden them by Roman tradition. Men were barred from some of her mysteries and only initiates were given the possession of her true name. Given that male authors had limited knowledge of her rites and attributes, ancient speculations about her identity abound, among them that she was an aspect of Terra, Ops, Cybele, or Ceres, or a Latin form of a Greek goddess, "Damia" (perhaps Demeter). Most often, she was identified as the wife, sister, or daughter of the god Faunus, thus an equivalent or aspect of the fertility nature-goddess Fauna, who could prophesy the fates of women.
The goddess had two main annual festivals. One was held at her Aventine temple, for the benefit of the Roman people; the other was hosted by the wife of a Roman senior annual magistrate for an invited group of elite matrons and female attendants. The latter festival came to scandalous prominence in 62 BC, when the politician Publius Clodius Pulcher was tried for his sacrilegious intrusion on the rites, allegedly bent on the seduction of Julius Caesar's wife, Pompeia. Clodius was found not guilty, but Caesar divorced Pompeia because "Caesar's wife must be above suspicion". For his support of the prosecution, Cicero earned Clodius' undying hatred. The festival fertility rites remained a subject of male curiosity and speculation, both religious and prurient.
Bona Dea's cults in the city of Rome were led by the Vestal Virgins and the Sacerdos Bonae Deae, and her provincial cults by virgin or matron priestesses. Surviving statuary shows her as a sedate Roman matron with a cornucopia and a snake. Personal dedications to her are attested among all classes, especially plebeians, freedmen and women, and slaves. Approximately one third of her dedications are from men, some of whom can be identified as acolytes and priests of her cult.