Breaking the Waves | |
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![]() Theatrical release poster | |
Directed by | Lars von Trier |
Written by | Lars von Trier Peter Asmussen |
Produced by | Peter Aalbæk Jensen Vibeke Windeløv |
Starring | Emily Watson Stellan Skarsgård Katrin Cartlidge Jean-Marc Barr Udo Kier |
Cinematography | Robby Müller |
Edited by | Anders Refn |
Production company | |
Distributed by | Warner and Metronome Films ApS (Denmark)[1][2] Svenska Filminstitutet[1] Triangelfilm (Sweden)[2] Les Films du losange (France)[1] Norsk Film Distribusjon (Norway)[2] Senso Films (Finland)[2] Lucky Red (Italy)[2] Pandora Film (Germany)[2] October Films (United States)[2] |
Release date |
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Running time | 158 minutes[3] |
Countries | Denmark Sweden France Netherlands Norway Iceland Finland[4] Italy[4] Germany[4] United States[4] |
Language | English |
Budget | $7.5 million[5] |
Box office | $23 million[6] |
Breaking The Waves is a 1996 psychological romantic[7] melodrama[8] film directed and co-written by Lars von Trier and starring Emily Watson in her feature film acting debut, and with Stellan Skarsgård, a frequent collaborator with von Trier.
Set in the Scottish Highlands in the early 1970s, it is about an unusual young woman and the love she has for her husband. The film is divided into seven chapters and an epilogue, separated by audio-visual art by Per Kirkeby and accompanied by music.
The film is an international co-production between the US, Denmark, seven other European countries, and is von Trier's first feature film with his Danish production company Zentropa. As von Trier's first film made after his founding of the Dogme 95 movement, it is heavily influenced by the movement's style and ethos. It is the first film in Trier's Golden Heart trilogy, which includes The Idiots (1998) and Dancer in the Dark (2000), the former made in compliance with the Dogme 95 Manifesto.[9]
Breaking the Waves was well received, with Emily Watson's acting receiving unanimous critical praise and earning her first Academy Award nomination. The movie has been described as "perhaps von Trier's most widely acclaimed film" and cited as among the best films of the 1990s.[10][11] The film won numerous awards, including the Grand Prix at the 1996 Cannes Film Festival.