Cary Grant

Cary Grant
Grant in a publicity still for Suspicion (1941)
Born
Archibald Alec Leach

(1904-01-18)January 18, 1904
Bristol, England
DiedNovember 29, 1986(1986-11-29) (aged 82)
Citizenship
  • United Kingdom
  • United States (from 1942)
OccupationActor
Years active1922–1986
WorksList of performances
Spouses
  • (m. 1934; div. 1935)
  • (m. 1942; div. 1945)
  • (m. 1949; div. 1962)
  • (m. 1965; div. 1968)
  • Barbara Harris
    (m. 1981)
ChildrenJennifer Grant
Awards

Cary Grant (born Archibald Alec Leach;[a] January 18, 1904 – November 29, 1986) was an English and American actor. Known for his Mid-Atlantic accent, debonair demeanor, lighthearted approach to acting, and sense of comic timing, he was one of classic Hollywood's definitive leading men. He was nominated twice for the Academy Award, received an Academy Honorary Award in 1970, and received the Kennedy Center Honor in 1981.[4][5] He was named the second greatest male star of the Golden Age of Hollywood by the American Film Institute in 1999.[6]

Grant was born into an impoverished family in Bristol, where he had an unhappy childhood marked by the absence of his mother and his father's alcoholism. He became attracted to theatre at a young age when he visited the Bristol Hippodrome.[7] At 16, he went as a stage performer with the Pender Troupe for a tour of the US. After a series of successful performances in New York City, he decided to stay there.[8] He established a name for himself in vaudeville in the 1920s and toured the United States before moving to Hollywood in the early 1930s.

Grant initially appeared in crime films and dramas, such as Blonde Venus (1932) and She Done Him Wrong (1933), but later gained renown for his performances in romantic screwball comedies such as The Awful Truth (1937), Bringing Up Baby (1938), His Girl Friday (1940), and The Philadelphia Story (1940). These pictures are frequently cited among the greatest comedy films of all time.[9] Other well-known films in which he starred in this period were the adventure Gunga Din (1939), the dark comedy Arsenic and Old Lace (1944), and the dramas Only Angels Have Wings (1939), Penny Serenade (1941), and None but the Lonely Heart (1944), the latter two for which he was nominated for the Academy Award for Best Actor.

During the 1940s and 1950s, Grant had a close working relationship with director Alfred Hitchcock, who cast him in four films: Suspicion (1941), Notorious (1946), To Catch a Thief (1955), and North by Northwest (1959). For the suspense-dramas Suspicion and Notorious, Grant took on darker, morally ambiguous characters, both challenging Grant's screen persona and his acting abilities. Toward the end of his career he starred in the romantic films Indiscreet (1958), Operation Petticoat (1959), That Touch of Mink (1962), and Charade (1963). He is remembered by critics for his unusually broad appeal as a handsome, suave actor who did not take himself too seriously, and in comedies was able to toy with his dignity without sacrificing it entirely.

Grant was married five times, three of them elopements with actresses Virginia Cherrill (1934–1935), Betsy Drake (1949–1962), and Dyan Cannon (1965–1968). He had daughter Jennifer Grant with Cannon. He retired from film acting in 1966 and pursued numerous business interests, representing cosmetics firm Fabergé and sitting on the board of Metro-Goldwyn-Mayer. He died of a stroke in 1986 at the age of 82.

  1. ^ Eliot 2004, p. 390.
  2. ^ Cite error: The named reference BirthRecordList was invoked but never defined (see the help page).
  3. ^ Cite error: The named reference McCarthy was invoked but never defined (see the help page).
  4. ^ "Cary Grant: The life of Hollywood's definitive leading man". FarOut. November 29, 2020. Retrieved May 27, 2023.
  5. ^ "Cary Grant – Kennedy Center Honors". Kennedy Center Honors. Retrieved May 26, 2023.
  6. ^ "AFI's 100 YEARS...100 STARS: The 50 Greatest American Screen Legends". American Film Institute. Retrieved May 27, 2023.
  7. ^ McCann 1997, p. 35; Nelson 2002, p. 10.
  8. ^ McCann 1997, pp. 44–46.
  9. ^ Sources:


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