Claire Bishop | |
|---|---|
| Nationality | British |
| Education | Cambridge University, Essex University |
| Occupation | Professor of Art History at CUNY Graduate Center |
| Known for | Histories and theories of participation art and performance |
| Notable work | Artificial Hells: Participatory Art and the Politics of Spectatorship (2012); “Antagonism and Relational Aesthetics" (2004) |
Claire Bishop is a British art historian, critic, and Professor of Art History at CUNY Graduate Center, New York where she has taught since September 2008.[1] Bishop is known as one of the central theorists of participation in visual art and performance. Her 2004 essay titled “Antagonism and Relational Aesthetics,” which was published in October, remains an influential critique of relational aesthetics.[2] Bishop's books have been translated into twenty languages and she is a frequent contributor to the magazine Artforum and the journal October.[3]